susan ewington jewellery

Two fabulous interviews! Read about it!

Susan Ewington JewelleryComment

I was so fortunate to sit down and and take part in two fabulous interviews recently.

People love asking questions, and I LOVE answering them! Win-win situation.

For the personal touch, and a little bit about my journey as a maker so far, check out this one via Indigo Bay Gifting, as part of their ‘Inspiring Women’ series, which highlights some insights into my business and practice, and a few quirky tidbits for fun.

And the next one was part of an incredible FREE wedding magazine, ‘For Like, Ever’, where I delved into everything you need to know about having your wedding rings custom made. It’s part of the second edition of this free magazine brought to you by Heart of Juno Designs, and is packed to the brim with awesome wedding info and insights. So for the about-to-be-wed, this is an absolute must!

Hit the link below and turn to page 24 for the interview.

SEJ HQ : Susan's Brand New Location!

Susan Ewington JewelleryComment

Here’s your first glimpse into my sparkly new space!

In May this year SEJ HQ was heaved and hoisted from the “temporary” home shed (since relocating from Melbourne to Noosa 3 years ago) into a beautiful new location in the leafy and vibrant industrial estate in Noosaville.

Checkout some of my amateur snapshots to get the lowdown on the space …

Susan ewington jewellery noosa.jpg
Susan ewington jewellery noosa.jpg
Susan ewington jewellery noosa.jpg
Susan Ewington Jewellery.jpg

That consultation area has some pretty retro furniture you say?

Ah yes, let me introduce you to ‘The Sinner’s Chairs’. Come again? Yep, these luxurious chocolatey-maroon velour chairs were gifted to me by a family member who salvaged them from, wait for it, the confessional booth of a suburban Brisbane Catholic church. They are extremely comfortable, and even better, there is absolutely no need to tell me your deepest darkest secrets while you sit in them, I have enough jewellery secrets to look after already!

The gorgeous round wooden table was hand made by my great grandfather, so that’s just super special too.

I’ll keep you posted on the custom display stands I am currently having made to finish off this eclectic space.

Meet some of the neighbours

Thomas Surfboards The iconic Noosa based surfboard shaper Thomas Bexon, world renowned for his longboards, has an incredible multi use space where the famous boards are shaped while you watch, including a cutting edge gallery and co-working space. Not only that, Thomas’ wife Kim is a skilled maker herself, with stunning handmade footwear under the label Woven Palm.

Captain Sip Sops Barber Shop & Outfitters Located within the Thomas Surfboards building, here you can grab a mens cut in true barber shop style, have a tasty Allpress coffee, or a Thomas Sufboards X Land & Sea brewery beer, or even a local Noosa kombucha on tap! They also have some rather tasteful mens and womens apparel, and a breezy courtyard with a ping pong table, no less.

Noosa Chocolate Factory The place where the magic happens, this chocolate is the absolute real deal. They open their “cellar door” to the factory on Saturday’s from 10-2.

Rick’s Artisan Pies & Sourdough OMG. This bakery is unbelievable. Arguably the best of the best. Nothing else needed. Gluten free and/or sugar free, sorry, this one’s definitely not for you.

Land & Sea Brewery Noosa’s original craft brewery. Have a beer, have a feed, watch a surfing vid, good times.

Get in touch if you’d love to come and see the space in person, I have lots of teas and Turkish glasses for water, so you know, it’s a bit fancy. And definitely less spiders than my last space!

Susan Ewington Jewellery is open by appointment at:

3/11 Project Ave, Noosaville, QLD, 4565

9ct & 18ct, what's the difference?

Susan Ewington JewelleryComment

You may already know the answer to this one. Or maybe you don’t. Either way, there’s some gold to be found in this post for sure.

Welcome to the world of ALLOYS

When we talk metals (and by we, I mean jeweller folk) we talk and work in alloys. Alloys are the blended recipe of metals that make up the different carats and colours you may know - 9ct yellow, 18ct rose, 18ct white, and so on. Because pure gold is of course … yellow. So to make it white, or rose, or harder and more durable, it needs to be blended with other metals to give it the desired colour and hardness. And it gets pretty scientific. But I won’t bore you too much with that stuff, I don’t even fully understand it all myself.

I will however go into some detail for you, because at the end of the day, an informed choice is a good one.

9ct rose gold and 9ct white gold rings

9ct rose gold and 9ct white gold rings


The type of carat the gold is, determines the purity level. So to put it simply, out of 1000 parts in the alloy ‘recipe’ …

  • In 18ct gold (stamped 750 or 18ct) there are 750 parts, or 75% pure gold content.

  • In 9ct gold (stamped 375 or 9ct) there are 375 parts, or 37.5% pure gold content.

    In Australia these are the two industry standard carats used. 14ct gold and 10ct gold is used commonly in American & Asian countries, let’s leave those out of the equation for now to keep it simple.


The remaining ‘parts’ (other metals used to make up the remaining percentage) are what determine the colour of the gold.

  • For yellow gold, a mixture of silver and copper is used.

  • For white gold, a mixture of white metals such as silver, palladium, platinum, and in low quality alloys nickel, is commonly used.

  • For rose/red gold, a high copper content is used.

18ct rose gold and 18ct white gold, freeform pink sapphire and white diamond

18ct rose gold and 18ct white gold, freeform pink sapphire and white diamond


The carat and colour of gold changes the properties of the metal. How it wears, how soft or hard it is, how brittle or malleable it is.

And these properties change, depending on the source of the alloy and the exact makeup of the ‘recipe’, but here are some generally common properties between them:

  • 9ct Yellow Gold: hard, hard wearing, will not dent or heavily scratch too easily, can be brittle, can oxidise (change colour on surface) over time, light to mid yellow tone

  • 9ct White Gold: relatively soft, medium wearing, will dent and scratch mildly easily, very malleable, will not oxidise, light grey tone

  • 9ct Rose Gold: hard, hard wearing, will not dent or heavily scratch too easily, can be brittle, can oxidise over time, strong coppery-rose tone

  • 18ct Yellow Gold: relatively soft, medium wearing, will dent and scratch mildly easily, very malleable, will not oxidise, deep buttery golden tone

  • 18ct White Gold: hard, hard wearing, will not dent or heavily scratch too easily, malleable, will not oxidise, mid grey tone

  • 18ct Rose Gold: hard-ish, hard to medium wearing, will not dent or heavily scratch too easily, malleable, will not oxidise, medium coppery-rose tone

A note on Rhodium plating …

Given that the natural colour of white gold is more of a grey tone, most white gold jewellery pieces are plated in the ultra white metal Rhodium. This is a surface treatment and does wear off over time, hence, the rhodium plating services offered or recommended yearly or every few years.

What is important to know, is that it is not necessary to have white gold coated in rhodium. In fact, the natural colour of a good quality white gold is grey and stormy and just beautiful! Especially with coloured stones. For more traditional white diamond pieces, or mass produced low quality white gold alloys, yes, sometimes rhodium plating is more desired. But just know that if you are having something handcrafted for you, it is totally your choice to have it plated or not.

What about Platinum?

Why haven’t I included this most noble of precious metals? Well, I was just trying to stick to gold for simplicity, but in the interests of sharing knowledge, here’s a tidbit:

In jewellery use, it is used as an alloy, but an extremely pure alloy, like generally around 90—95% pure. It’s colour is pure bright silvery white, it’s properties are extremely malleable and extremely dense. It is revered for its ability to displace rather than dent, as in, it does not wear away over time, it simply moves. The most prized gemstones, especially white diamonds, are often set in platinum.

natural unplated 18ct white gold ‘Giardinetti’ ring with sapphires and diamond

natural unplated 18ct white gold ‘Giardinetti’ ring with sapphires and diamond


When recycling old jewellery for a new piece, it is important to note that ideally, yellow golds are the easiest and best to recycle. Relatively any mixture of yellow gold pieces can be remelted together, even different carats, although sticking to one carat is preferable.

On the other hand, white golds do not like to be mixed together. To put it simply, there are far too many variables in the alloys that when different white gold pieces get remelted together, a structural imbalance can occur, making it unusable for fabrication. The only exception is if the pieces are known to be exactly the same alloy from the same manufacturer, or remelted from one exclusive piece.

Check out this make using both new white gold and recycled white gold from one old ring to make three seperate rings.

wedding band made using customers recycled heirloom 9ct yellow gold, and new 9ct white gold

wedding band made using customers recycled heirloom 9ct yellow gold, and new 9ct white gold


What would I choose for myself? Well, firstly, the colour depends on what stones I’m using, or just what mood I’m in that day 😂(seriously though, I hardly ever have time to make anything for myself, it is a total luxury!)

Carat? If it’s for me, 18ct is my absolute preference. It is denser. It has more longevity because of its malleable and forgiving properties, ie. it will not get brittle. It will repair more easily in the future. It’s colours are stunning. There is a reason that the most prized of precious gems are set in 18ct carat golds and platinum. They will stand the test of time if made well and cared for well.

However, it is more expensive. So budget should definitely be considered.

Well, that was a lot of information! I’m always happy to answer any questions of course, hit me up if you missed something you desperately want to know.

the custom made process

Susan Ewington JewelleryComment
wear yourself out.png

I’ve written about this before, but I felt like it was definitely time for a re-hash. This is something I assume most people who are wanting to get in touch with me are wishing to know more about. So, without further ado, here is a little insight into the process of having something custom made.

  • Don’t be shy, get in touch! Either through the website Contact page, or via email or phone is best, as sometimes things like FaceBook Messenger or Instagram DM’s can go unnoticed for a few days.

  • Have an idea? Great! Don’t have an idea? No dramas! All it takes is a few emails or discussions to get the designs and ideas flowing, I promise I make it easy for you. Plus, I have loads of images and visual cues to help you imagine it, even if you’ve never been one of those ‘visual’ people. Seriously, I probably spend more time on sketches and emails and explaining things so it’s not too obscure, than I’d care to admit. But that’s my job, and often more design ideas are born out of these engagements so it’s kind of in my best interests to be challenged to design in this way.

an example of hand sketched designs, with colour applied.

an example of hand sketched designs, with colour applied.

  • Want to see before you commit? Well I can’t magically make the piece appear if it’s a bespoke custom design, but I can get the stones (if applicable) on hand for you to check out and select from before you purchase them. How does that work when you are in a different location you might ask? Well, I am pretty snazzy at sending through videos & images taken under different lighting conditions, drawing to scale, and even photoshopping the stones directly onto the sketch. I also have access to some of the best stone cutters in Australia, who can source some of the finest gem material we have both here in Australia and overseas. If ethically sourced is important to you, I am able to work through the options with you to the best knowledge available to me.

photoshopped sketch with chosen sapphires

photoshopped sketch with chosen sapphires

  • Have a budget in mind? Tell me, we can usually work with that. Don’t be hesitant, everyone has an idea of what they can afford. I’ve worked with many different budgets, and we can almost always work out the best possible method to achieve what it is that you might want. Bear in mind that hand crafted might not get you the “biggest” but it will get you the “best” when it comes to quality and longevity. Don’t even know where to start with what to spend? By all means take some time looking around what’s on offer price wise to help get your head around it. But don’t get overwhelmed by the options and extreme differences. Get a budget, and stick to it. I’ll talk you through the rest.

  • When do I pay? Designing, quoting and estimates is usually free of charge. With the exception of having gemstones custom cut, or ordered on loan to have a look at and then deciding to pass on it, there are no upfront fees for simply getting some ideas and estimates down on paper. The first payment is made when both the design and quote has been confirmed, or stones have been officially selected and ordered, and then the final balance is payable upon completion of the piece. It is almost always a 50% deposit and then a 50% balance.

  • How long is this going to take? Let’s face it, it ain’t no “I’ll just whip it up” kind of scenario. A hand crafted piece is exactly that, hand crafted with my own two hands. Sometimes it might be around 4 weeks, sometimes 6-8 weeks if a lot of designing or custom cut stones are required. But put it this way, don’t leave it until the last minute. No one likes a stressy jeweller 💁🏼‍♀️

custom made rings

custom made rings

For what it’s worth …

A custom made piece of jewellery is an experience. Oftentimes, you invest your ideas, sentimentality, and personal style into something that could become your most cherished and significant possession. It might be a bit scary to go through with, it might feel a bit risky even, but I promise that it’s worth it. And I’ll make you feel as comfy as I can through the whole thing.

Have more questions?

Check out the FAQ’s on my website or better still, get in touch!

fit together

Susan Ewington JewelleryComment

If you're interested in how some rings are hand crafted, then you may find this entry particularly interesting.  See how this fitted wedding band was made from start to finish, hand fabricated all the way, just how I like it!

This textured and luscious little band was set with a scattering of tonal green Australian sapphires, subtly shaded to echo the greens of the sea.  Set in a claw-set spread on a hammer textured band to match her engagement ring, it was curved to fit the shape of the oval black diamond.  

green sapphire fitted wedding ring starburst
handmade wedding ring
handmade wedding ring
handmade wedding ring
handmade wedding ring
handmade wedding ring
handmade wedding ring
handmade wedding ring
claw set green sapphire wedding ring


Susan Ewington JewelleryComment

Sometimes it's all about simplicity.  This stunning set of engagement and wedding bands were recently commissioned.  Classic in materials, a white brilliant cut diamond solitaire set in 18ct white gold for her, and a soft matte grey 9ct gold for him.   

With a twist of contemporary features, including a pared back minimal U shaped diamond setting, soft hammered finish, and textured stamps.  These soft touches are the perfect way to add elements of contemporary swag without having it full on in your face!

solitaire diamond engagement wedding ring
solitaire diamond engagement ring
mens wedding band white gold

from the earth

Susan Ewington JewelleryComment

I recently had the opportunity to create a ring for the very person who cut the sapphires it featured.  I'm sure I'm not the only jeweller who gets a bit of a kick out of creating something so special for someone else in the very same industry.  An industry where there are so many talented designers, and particularly in the smaller circles of Australian - contemporary - hand made.  To say I was honoured to be chosen for the task was just the beginning of my happy level.  

So when Pebble Sprout sent me these stunning Queensland sapphires that she cut, and said something along the lines of - make me a ring, kind of like this, and kind of like that - well I was positively excited about how it was going to turn out.  

Pebble Sprouts stunning natural unheated/untreated Australian Sapphires

Pebble Sprouts stunning natural unheated/untreated Australian Sapphires

We were even fortunate enough to obtain an image of the very claim these stunning sapphires came from!  Graves Hill in Queensland to be exact.  What a rare opportunity to see the progress and process of a truly Australian made piece.  

Graves Hill Sapphire claim in Queensland.  Image Courtesy of Barry Stewart.

Graves Hill Sapphire claim in Queensland.  Image Courtesy of Barry Stewart.

Handmade 18ct white & rose gold cluster style ring with granules

Handmade 18ct white & rose gold cluster style ring with granules

australian sapphire cluster white rose gold ring 4.jpg
australian sapphire cluster white rose gold ring.jpg

seafoam & green

Susan Ewington JewelleryComment

Shop update!

There's a few new beach glass pieces now available online, including the classic best selling earrings in green and seafoam tones.  Aaaaaand, the long awaited necklaces! 

If you like the look of them but want to see some more images and details, feel free to drop me a line and I'll do my best to help you with any of the nitty gritty.

green beach glass necklace 1.jpg
seafoam beach glass necklace 4.jpg
green beach glass earrings 1.jpg



welcome 2018

Susan Ewington JewelleryComment

Ahh the New Year feels, the freshness, the optimism, the planning.  There are many small plans ahead this year as I continue to balance work and growing my small business along side my small growing family.  The challenges will be real that's for sure.  But they will be rewarding I hope. 

Here's a few pieces I finished just before the end of 2017 that I couldn't show you until now.  

A pair of incredible wedding rings for some seriously creative people.  Modern medieval inspired toi et moi meets custom cut Australian Parti Sapphire beauty...

toietmoi parti sapphire wedding rings
toietmoi sapphire signet ring 5.jpg
toietmoi sapphire signet ring .jpg
ouroboros sapphire signet ring3.jpg
toietmoi pear sapphire ring 3.jpg
toietmoi pear sapphire ring 4.jpg

Then a super stunning custom cut Australian purple zircon freeform set into 18ct yellow gold.  This is the first time I've done one of these freeform rings with a half round profile band - and boy oh boy were the results amazing!  The soft pastel tone and the rounded ring soften the whole look of this design.  This certainly won't be the last one of these I'll be making.

australian zircon gold ring 2.jpg
australian zircon gold ring 5.jpg
australian zircon gold ring 1.jpg




Susan Ewington Jewellery1 Comment


Well I can barely believe it, but this month of November, 2017, sees my humble little business turn 10 years old!  In this month of 2007, I was graduating from my Tafe course and opening my first little shared studio with 3 of my fellow graduates.  It was very humble beginnings let me tell you.  I had just barely grasped the skills of some of the most vital parts of jewellery making - soldering, filing, saw piercing - there was, and still very much is to this day, a whole lot of skill to learn yet. 

This year I have been reflecting on my journey so far, pondering the highlights and challenges along the way, and considering what the next 10 years may hold.  

For those of you in a similar career, branching out on your own creative path, studying the trade, or simply interested, here's a little debrief which may help or interest you somewhat.  There are no two paths the same, no one way to go about things, and no final destinations.  

Over the past 10 years I have worked on growing my business - days, nights, weekends, any minute I could squeeze in between part time employment in the industry to grow my knowledge base and skill set.  I have worked in jewellery retail, for trade craftsmen, a precious metal merchant, but by far the singular most beneficial placement was with Robyn Wernicke at Small Space Jewellery.  It was here that I really began to grow my skill set, to learn from her was an incredible experience which gave me the confidence I needed to really feel like I was going to be able to do this! 

In the early years, for me there was a fine balance between choosing the path of the artist, or the path of the craftsperson.  In my opinion, they are not able to be pursued equally at the same time, however perhaps there is an option to slowly shift between the two with the ebb and flow of life and career.  

These two paths have challenged me over the years, and I still continue to struggle with the creative mind's constant pulling, insistent on stealing my attention and have me wishing there are more than 24 hours in a day, 7 days in a week.    

Throw in 2 children, an interstate move from bustling Melbourne to coastal Noosa, the new juggle of family life and working from a home studio, and the logistics of running a predominantly online business, I guess you could say that I am currently at capacity!  

However what I have found, and what continues to drive my passion for this trade, is that I will never truly be at capacity.  The incredible thing about a craft/trade/art is that you can absolutely never know it all, it will continue to teach you new techniques, new approaches, and new perspectives until the end.  And for as many highlights and achievements, there will be even more self doubts, knock-backs, set-backs, and instances which steer you in a new direction to realise a new challenge, making those highlights even more satisfying.   

So here's to the next 10, 20, 30 + years.  With the utmost respect and gratitude to those that have taught me, supported me, and those who are yet to, I thank you all from the bottom of my heart. 

Ribbon torque bangle - hand forged anticlastic raised sterling silver - from one of my first stock production collections, 2009

Ribbon torque bangle - hand forged anticlastic raised sterling silver - from one of my first stock production collections, 2009

One of my first engagement rings and the beginning of my obsession with two stoned rings.  Cognac diamond and ruby in 18ct white & yellow gold, 2010

One of my first engagement rings and the beginning of my obsession with two stoned rings.  Cognac diamond and ruby in 18ct white & yellow gold, 2010

Hand raised double cone neckpiece in sterling silver.  A piece from group exhibition 'Double Figures' at Small Space Jewellery, 2010

Hand raised double cone neckpiece in sterling silver.  A piece from group exhibition 'Double Figures' at Small Space Jewellery, 2010

'Cutout Locket', detail, 2012.  From my first and only (thus far!) solo exhibition, 'Transference'.  Sterling silver, lapis lazuli, reclaimed wood with silverpoint drawing on traditional gesso

'Cutout Locket', detail, 2012.  From my first and only (thus far!) solo exhibition, 'Transference'.  Sterling silver, lapis lazuli, reclaimed wood with silverpoint drawing on traditional gesso

One of the more elaborate engagement rings I've made in the last year.  All Australian mined and cut sapphires with champagne diamonds in 18ct yellow gold.  Tell my 10 year ago self that I would be hand fabricating this in 2016 and I would never have believed you!

One of the more elaborate engagement rings I've made in the last year.  All Australian mined and cut sapphires with champagne diamonds in 18ct yellow gold.  Tell my 10 year ago self that I would be hand fabricating this in 2016 and I would never have believed you!

natural beauties

Susan Ewington JewelleryComment

Here's the end result of the two freeform stones from a few posts back....

A super stunning ombre shaded natural Australian sapphire, mined in Queensland, cut in Victoria

large freeform australian sapphire ring engagement.jpg
large freeform australian sapphire ring engagement.jpg

And a dainty but bright natural Ruby cut in Adelaide, set with a hint of warm 18ct yellow gold

ruby freeform white gold engagement ring.jpg
ruby freeform white gold engagement ring.jpg

sea gems

Susan Ewington JewelleryComment

For a good many years now I have been making beach glass jewellery, predominantly earrings. These are now my most popular selling item of all time.  The infatuation for sea glass in me runs deep, there is something so magical about it, and the hunt for it, that I'm forever scouring the beaches in search of that coloured gem.  

When I first started making jewellery with it, I used a precious personal collection that I had gathered during my time living in Mallorca.  After selling out of it, and living in Melbourne at the time, I realised I needed to outsource this precious discarded treasure.  Luckily I found and have continued to source it from a beach glass appreciation society based on the West coast of USA. This keeps the demand flowing, and luckily I have also managed a little hoard of my own searching from various parts of the world over the years.  Unfortunately the pristine beaches where I live now don't really work in my favour with beach glass but I'm not complaining either!

beach glass earrings mixed.jpg

The colours!  The colours get me every time.  They all have a provenance.  Many elements dictate the rarity of them, the area they wash up, the era they were made in, the type of use it had.  In fact the details of each colour are a truly fascinating insight into consumer history, oftentimes indicative of the trials and tribulations of the global effects of war, economical depression, and pop culture.   

golden glass er sml file.jpg

Here are some of the rarer colours, and the common possible origins of them:

Seafoam green - 1 in 50 pieces - possibly early 1900s, old Coca-Cola bottles 

Bright lime green - 1 in 50 pieces - beer and soda bottles

Amber - 1 in 25 pieces - beer bottles & medicinal jars

Pastel pink - 1 in 1000 pieces - US Depression era 1930s glassware

Cornflower blue - 1 in 500 pieces - pre 1900, Milk of Magnesia & Vicks Vapor rub bottles

Cobalt blue - 1 in 250 pieces - medicinal bottles, castor oil & ink bottles

There are even rarer colours such as red, yellow, turquoise and black.  If this information on colour really interests you, head over to this fantastic Guide to Origin & Rarity and read up.  

beach glass lot ers.jpg

If you have a special piece you've been lucky enough to find and treasure, maybe you'd like to have it made into a pendant or ring perhaps? 

The best part about these pieces?  No two are ever the same, yet I continue to be pleasantly surprised at how easy it is to pair up two for a complimentary set of earrings.  Just odd enough to be asymmetrical, yet they work perfectly in unison. 

sea glass green er 1-2.jpg


Susan Ewington JewelleryComment

Well as the topical subject of marriage equality is again at the forefront of Australian news (this is really getting embarrassing now) freedom, freedom of choice, and just plain old human rights should be the obvious factor here; but no, we have a government which is hindering and holding back the rights of many beautiful people who just simply want to tie the knot and continue on their paths and daily activities just like the rest of "us".  

This whole pickle got me thinking about all the freeform cut gemstones I've had the pleasure of making into rings over the years, for many an occasion, but often for marriage.  

I ended up collaging 9 of them (trust me it was hard to choose) and just wanted to share the beautiful *rainbow* effect here in case you missed it on social.

freeform engagement wedding rings sapphire australia

There are two more gorgeous stones lined up to become rings, one is a stunningly large ombre effect Australian blue sapphire, and one is an electric pink ruby.

australian sapphire ruby gemstones

There is also this incredible Australian green sapphire which is waiting for its forever home, it could be yours!  

green sapphire .JPG

I'm back baby!

Susan Ewington JewelleryComment

Well after a short and rather lovely newborn cuddly time away from the bench, I'm happy to say I'm ready to start finding (or should I say scrounging and grasping for) time to make beautiful jewels once again.  

If you've been thinking of having a bespoke piece made, or even simply inquiring about the ins and outs of the process, now is the time to get in touch!  

You can also check out these blog posts here and here, which may give some insight into the lovely process of having something truly special handmade just for you or your lucky loved one. 

Speaking of lucky, here's a super special commission finished just before my maternity leave.  It is an engagement and wedding ring set made to fit together, with the unusual combination of featuring a stunning Japanese Akoya black pearl, custom cut Australian parti sapphire (fossicked by the clients themselves!) and a scattering of Australian Argyle white diamonds.  All set in 18ct white gold, with a hint of pure fine Australian native gold (again fossicked by the clients).

There are some great progress shots of how this one came together on Facebook, check it out!

vintage & contemporary

Susan Ewington JewelleryComment

It's not everyday you get the request to make a very contemporary wedding ring to sit alongside a very vintage engagement ring.  What a challenge, one I was very excited about.

Her engagement ring required a fitted shaped wedding band due to the design of the setting holding the antique European cut diamond.  The engagement ring, purchased in an antique store in Buenos Aires, was made in the 1930s with a much older diamond in my absolute favourite old style cut. 

The brief from her was that she wanted to pair it with something of equal presence; very contemporary; loves blue; they got engaged on a mountain hike in South America so wanted to incorporate a mountain-like texture; and of course it had to still compliment her engagement ring! 

So the results are quite fantastic and I ended up loving everything about the combination.   She ended up choosing a gorgeous Australian blue sapphire feature stone, mined and cut in Australia in a freeform geometric shape. 

Her fiance chose a complimentary hand carved mountain texture in his wedding band.  Subtle and unique.

commissions closed for a brief stork delivery

Susan Ewington JewelleryComment

Well it's come the time to announce that I have now closed private commissions for a short period, while I bunker down to prepare for the arrival of my second child.  I will of course happily receive and respond to any inquiries during this period, but I will not be available to make anything custom (unless you've already ordered it!) from April 1st until mid-late June.  

I will still have pieces available from my beautiful stockists in Melbourne and here on the Sunshine Coast, check them out on the contacts page of my website. 

My online store will still be up and running an available to purchase from, but made to order items will take longer than expected.  I am an enthusiastic communicator though, so I'll be in touch with you if you decide to purchase a made to order item to give you some specific waiting times. 

I will keep you updated across my social media platforms when I am officially back on board!

And just to make this post pretty, here's recent custom ring that was a seriously gorgeous colour combination.  A stunning Australian parti sapphire in a custom emerald type cut, with another 3 round stones - an Australian Argyle champagne diamond, a Ceylon cornflower blue sapphire, and a grey-green Australian sapphire.  All set in 18ct white and yellow gold.

heirloom diamonds

Susan Ewington JewelleryComment

A special commission that was recently finished incorporated the use of some heirloom diamonds that had been reworked in various engagement rings through 3 generations.  There's just nothing to compare with the old cut diamonds, their brilliance and sparkle is in my opinion far more interesting than the standard modern brilliant cuts we see today.  There is something to be said about the "not quite perfect" faceting on an old cut gemstone, which gives the truly hand worked touch to something which is now, in the case of diamonds, all cut by laser and calibrated by a computer. 

I reused the heirloom diamonds in combination with an Australian Argyle champagne diamond in the customer's new engagement ring.  Then the white gold that was from the ring handed down was completely used up to make the wedding band and a sweet little fine stacking band.  The wedding band featured two soft twists and a scatter of 3 Argyle champagne diamonds, and the stacking ring held two little granules, completely using up all the scrap of the existing recycled ring. 

wedding rings

Susan Ewington Jewellery2 Comments

Your wedding.  In most cases, you will spend a great deal of effort and time planning your special day.  There is just so much to think about! 

Now I've only had one wedding of my own, but I do get to spend a great deal of time talking with other couples about theirs, so I'd like to think I have some helpful tips to put forward on occasion.

Ponder this then; what is the one thing that is left behind after the big day itself, apart from your renewed sense of love for your partner of course... the rings.

Your wedding rings are the one tangible object that in the majority of cases you have with you day in and day out for the rest of your lives together.  So don't you think that they ought to be pretty special?  Oftentimes I hear about how couples have spent so much time invested in the planning of the big event, and the rings are almost an afterthought.  What a shame to have run out of time to have something truly amazing hand crafted, only to be rushed at the end having to buy a more generic wedding ring off the shelf from a chain store or the like. 

Now I'm pretty lucky though I have to say, that the lovely couples I work with come to me to have something very special made, and appreciate the importance of having their rings hand made just for them.  Here a just a few of the wedding rings I've had the pleasure of making, each suited to the personalities of their owners, and made to last a lifetime.

future heirloom

Susan Ewington JewelleryComment

A wedding is the perfect occasion to have a bespoke piece of jewellery made, aside from your wedding rings of course, which can potentially become a future heirloom.  You can almost picture the thread of women, handed down through the generations, that could wear the very same piece for their own weddings.

This bracelet has the potential to do just that. 

Crafted in some incredible materials, this piece commands contemporary elegance.  Something which will not date in it's classic features, yet still maintains an air of modernity.  The best of both worlds.

9ct white gold featuring 18ct yellow gold accents.  The central circular component features an Australian Argyle champagne diamond, a steel blue Australian sapphire, and a smokey grey sapphire.  Set down one side of the bracelet is 25 Argyle diamonds, in ombre shading graduating from white to dark cognac. 

toi et moi

Susan Ewington JewelleryComment

"Toi et moi", meaning "you and me" in French, refers to an antique style of engagement ring where two large stones are featured prominently in the design.  I've long considered the balance of two a significant design aesthetic of mine, however I usually combine very different shapes or sizes so I could never really call it a true 'toi et moi'... until this one.

Featuring a freeform cut Australian parti sapphire, and a much more uncommon stone known as Andalusite, which originates from Andalucia in Spain where it was first discovered.  Combined, they are so rich and earthy in their tones, which suited this Spanish guapa to a tee, and was perfect to symbolise her marriage to her Australian man.  Set in 18ct white and yellow golds.